Directed by: Harmony Korine
Written by: Harmony Korine
Released: March 22nd, 2013
Theatre watched at: Century 8, North Hollywood
Let’s get it out of the way…because it’s like an elephant, it’s in the room, and now it’s taking a sh*t–we have to talk about it. The true appeal of Spring Breakers is seeing Disney star, good girl Selena Gomez in a bikini, taking bong hits, downing booze, and just praying she’ll flash her “Beibers” or at least settle for some side-Beibs (and Vanessa, I didn’t forget you, but come on, old territory for you). I’ll reveal it all now, Selena does NOT bare her anythings in the film, not even close, but fortunately Vanessa does for a short bit, so there you go perverts. The film follows four childhood friends Brit, Faith, Candy, and Cotty (Ashley Benson, Selena Gomez, Vanessa Hudgens, and Rachel Korine, respectively) who are in dire need to escape their painfully redundant, college lives and party hard for spring break. After successfully robbing a diner to satisfy adequate funds for a trip, they travel to Florida where they are sucked into the allure of the wild, exotic, and care-free world that is “partying like there is no freagin’ tomorrow.” Of course, nothing lasts forever, and the moment their paradise illusion is disrupted by matters of the law, drug-dealing, and gang wars, each of the girls slowly realize there is no escaping “real-life”…it’s about what life you feel most comfortable trapped in.
For a film that is stuffed to the brim with babes, bare boobs, fornication and bad consciences, (high five to those who get the Rorschach reference) as well as an absolutely outstanding, gusto performance from James Franco, Spring Breakers left me quite indifferent due to its unrealized agenda. By the end of it all I just didn’t know what I cared about, if I cared about anything at all, or if director Harmony Korine wanted me to care about anything at all. At first exposure we are presented with these self-absorbed girls who are as horny and money hungry as Donald Trump on vacation. With the exception of Gomez’s character Faith, who we learn has a Christian background, the remaining three girls have very little to distinguish them from each other, and are thus reduced to interchangeable vessels that exemplify what seems to be the “typical” girls-gone-wild woman: welcoming of danger, addicted drugs/sex, apathetic to opinion, and socially confused. With this information in the chamber, expecting some dynamic character arcs seemed reasonable, but it is clear by the time that when two of the girls decide to go home only after they’ve either been sexually threatened or shot in the arm, and they are never mentioned or seen in the film again, that this is not a character study. So, what we have here are four main characters who turn out to be nothing more than stupid people who have to “see it to believe it” before making a smart decision.
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